Great Stuff on the Writers’ Blogs, February 21 & 22, 2013

Quite a variety of Great Stuff today, from IndieReCon and elsewhere. Practical, thought-provoking, and even fun. All just a little bit down your screen. Enjoy!

ANNOUNCEMENT

One week to go before big changes—I mean, BIG changes—come to Great Stuff. The biggest changes will be a new location and a new look. For those of you who are following the blog by RSS subscription, I’m afraid that’s also going to mean a change for you, as you’ll have to resubscribe. Sorry! I don’t know how to transfer your subscriptions! (If you know how, please let me know. I’d love to make this a totally seamless process for you.) What won’t change is the frequency and the quality of the content. I truly appreciate every one of you who reads this blog and hope you’ll stay along for the ride on the new horse. Watch for more details in Monday’s and Wednesday’s posts.

FROM IndieReCon

IndieReCon finished yesterday and to be honest, my brain is more than full—it’s trying to explode. Fortunately, all the posts that were such a big part of the Con have been archived and will be available for at least a while, so one of the best things you can do is stop by the web site and browse. I have NOT mentioned every post that the contributing authors put up, so I may well have skipped the one that you were looking for.

Ali Cross’s (@ali_cross) Building an Author Brand is a long post but full of practical advice and examples.

Joel Friedlander (@JFBookman) lists 12 Steps to Blog Tour Success. Simple to list but they’ll take effort and focus to do well. Nothing new there, right? Kind of like writing.

There’s a whole ‘nother day of IndieReCon to cover but it’ll have to wait. I need to get this post out! So I’ll finish for now with Bookshelf Muses Angela Ackerman (@AngelaAckerman) and Becca Puglisi (@beccapuglisi) on Creative Book Launches That Command Attention. “Creative” and “Command” might not seem to go together, but they do if you think of command as “excite.”

CRAFT

In addition to being a contributor to Writer Unboxed, Ray Rhamey “flogs” (critiques) writers’ submissions on his blog—at their request! So for Flog a Pro: Safe Haven by Nicholas Sparks, Ray decided to take a look at the opening page of a successful, multi-published author’s latest book, with this question in mind: “does the first page compel me to turn the page?” [boldface and italics his] Take a look. You can even answer the question yourself in an in-post poll. (I had my answer before the end of the second sentence. What was yours?)

BUSINESS

Nathan Bransford (@NathanBransford) reports that Amazon has applied for a patent on a technology that would let people sell “used” ebooks (through them, of course). This has some authors up in arms, others wondering whether this is really going to happen (seriously? they’re wondering?), and Bransford himself (a former literary agent) wondering if there is such a thing as  “used” ebook (hearkening back to the model of physical book that can show signs of wear). Then there are people like Cory Doctorow and Joe Konrath who would wonder what the fuss is about because, they claim, free and/or DRM-free (not-copy-protected) books generate sales of the same work and others by the same author. The full story is in Should Consumers Be Able to Buy and Sell Used E-books? What do you think?

Scammers seem to be everywhere. The latest from Victoria Strauss (@victoriastrauss) on Writer Beware® Blogs is Close-up TV News/Close-up Talk Radio. For a mere $5,000 contribution, you—yes, you!—can be part of a “huge” radio promotion! Uh, yeah, right.

As mentioned last time, Joel Friedlander (@JFBookman) has developed templates for MS Word that you can use to properly format your ebook or print book. Now that the effort has launched, he’s doing his promotion tour, which includes a summary and video interview with Joanna Penn and on his own site, plus at a new, purpose-built web site, BookDesignTemplates.com. DISCLAIMER: I am NOT endorsing (or anti-endorsing) what Joel has done, merely telling you about it. I’m actually a little surprised it’s taken so long for somebody to do this. Whether any of these templates strike your fancy, whether you think the prices are acceptable, even whether you want to try to learn how to use one of these templates is entirely up to you.

THE WRITING LIFE

British poet (and recovering lawyer) Musa Okwonga (@Okwonga) says, “When you’re terrified in making a creative choice, that’s when [you’re] closest to getting it absolutely right.” Check out his short video on Kelly Russell Agodon’s Book of Kells blog.

FUN

You’d think a writing advice piece would go up in the Craft section, but when the title is What My Cat Has Taught Me About Writing, you just know it has to come down here. And I don’t even own a cat, claim to own a cat, admit to being owned by one, or even share the house with one (or more). No matter, for a smile and an understanding nod or two (or ten), check out Jordan Dane’s (@JordanDane) Kill Zone post.

Only we word geeks would consider Why the Plural of “Die” Is “Dice,” not “Douse” by Neal Whitman (@LiteralMinded) by way of Mignon Fogarty’s (@GrammarGirl) Grammar Girl blog to be fun. Whitman also explains why “wicked” (as in bad) is pronounced “wikid” and not “wict,” why “buck naked” is transforming into “butt naked,” and why these quirks of the language tell us about how it came to be what it is today.

Great Stuff on the Writers’ Blogs, February 12 & 13, 2013

Hope you’re not a triskaidekaphobe! Today’s double-13 day, and tells you it is: 2-13-13, or 13-2-13, if you prefer. Thirteen what to thirteen? Which reminds me of Albert the Alligator, a character from the old Pogo comic strip, for whom the 13th day of the month was always Friday the Thirteenth, even if it was a Wednesday.

What does that have to do with today’s post? Not a darn thing, as far as I can tell. In fact, you’re double-lucky to be finding out about today’s Great Stuff. Read on!

CRAFT

Here’s some really practical advice that we can all use: Writing Gender-Specific Dialogue from the Writer’s Digest There Are No Rules blog. Excerpted from a book by romance writer Leigh Michaels (@leighmichaels), the piece gives advice to women on how men think and act, and hence speak, and vice versa for men writing female characters. For example, women know and notice which colors go together and which don’t, while men generally don’t notice or care. That reminded me of a woman in my writer’s group who had a (straight) male character noticing that a woman’s eyes matched the color of her uniform. Um, sorry, no. We ad-dress-ed that. 😉 Have you run into this kind of thing? How did you address it?

Some writers like to have music playing in the background when they’re writing. Not me, it’s too distracting. But if you’re like Ann Aguirre (@MsAnnAguirre) and Let Music Set the Mood when you’re writing, you’ll definitely get her piece on Writer Unboxed today. But even if you’re not a writer/listener, there’s something for you here: a song may not set your mood, but it can set the story’s mood or reveal something about a character. In my first novel, one of my characters is a fan of rock music from the ‘60s to ‘80s and snippets from those songs will pop into her head from time to time, usually at high-stress moments. It tells you something about her and adds a new dimension to the scene. Do you do anything like this?

You might not expect to find advice on story-telling on ProBlogger, but that’s what Gregory Ciotti (@HelpScout) offers in The Science of Storytelling: 6 Ways to Write More Persuasive Stories. The piece is based on research by Dr. Philip Mazzocco and Melanie Green having to do with court arguments, but their six keys apply in fiction too. They are: audience, realism, delivery, imagery, structure, and context. Space doesn’t permit me to discuss them here, but slide on over and check out the article.

BUSINESS

So, we’ve all heard that the job’s not over when the writing’s done when it comes to books, right? Sure, but what exactly does that mean? Enter Boyd Morrison’s (@boydmorrison) What to Expect When You’re Expecting…to be Published,  a list of 31—that’s right, 31—things that you’ll do after you get that magical phone call saying your book has been accepted for traditional publication. Indie publishers: think the list doesn’t apply to you? Wrong-o, Kindle breath! Of course, some steps won’t, at least as written. But many will in one form or another, and often they’re entirely on you to do, rather than in response to a request from the publisher. A real reality check here.

Joel Friedlander (@JFBookman) has published many articles on e- and print book design, so Book Design Quick Tips for Self-Publishers doesn’t have anything really new, except for a hint at the end about something he’s going to be launching soon—a book layout service, maybe? But this pretty long but useful post lays out the basics in simple terms. This stuff isn’t cosmic or über-technical and you shouldn’t fear it. Take the time to study and absorb it and you’ll be ahead of the game.

Nancy J. Cohen (@nancyjcohen) is releasing a new novel and using the free option on KDP Select for a few days. More important for other writers planning to self-publish is the other information on where and how to get publicity and reviews she offers in the FREE on Kindle post. If this is something to do, check out the post.

Looking into what the future might hold for Nancy, J A Konrath (@JAKonrath) discusses his recent experiences with having some of his books sold via KDP Select in his post Amazon Numbers. Three lessons to learn: (1) despite what he says, being a “name” in the business helps. It’s not required but your sales numbers will be better when you’re known than when you’re still an unknown. (2) Giving the book away for free boosts for-cash sales. I’m reading Cory Doctorow’s The Problem Is Obscurity right now, and he makes the same point. (Beats you over the head with it, actually.) (3) The more titles you have for sale, the better. Konrath closes this long post with two other discussions. He doesn’t like Amazon’s demand for exclusive sales fights for 90 days if you sign up for KDP Select (no one but Amazon seems to), and self-publishing gives you control over your work, which is a good thing.

SOCIAL MEDIA

Writing advice from @NathanBransford in <141 characters. It’s better than you might expect. (27 characters left.)

THE WRITING LIFE

I could have put Keith Cronin’s (@KeithCronin) Write Like You Mean It up in the Craft section, but since it’s really about attitude—making the effort to make anything you write a piece of quality writing—it fits better here. Keith’s piece is pretty long but he uses that length to approach the basic thesis—if you want to be considered a professional writer, write like one whenever you write, even on Twitter or Facebook—from a variety of different angles with the intent that if one doesn’t resonate with you, another one will. What do you think? Is this your approach?

Great Stuff on the Writers’ Blogs, February 7 & 8, 2013

Today’s post has to be one of the most value-packed I’ve had in quite a while, and that’s saying something. And for those of you in parts of the US who are bracing for some really rough weather this weekend, maybe this stuff will be what you need to carry you through—so long as you have electricity and the internet, anyway. Enjoy!

CRAFT

Jordan Dane (@JordanDane) is about to bring out the first book in a YA fantasy trilogy that is driven by, among other things, a love triangle. Because the story focuses on relationships, her 5 Key Steps to Adding Depth to Your Fictional Relationships post on The Kill Zone is worth a look, even if you have to get through the biographies of the characters first. The steps can be summarized this way: give the characters both internal-internal conflicts and internal-external conflicts to deal with.

Now this is ironic (and a little creepy): a post on The Kill Zone (above) about a love triangle and relationships, and a guest post by retired homicide detective Garry Rodgers (@GarryRodgers1) on The Creative Penn on How To Get Away With Murder—or fail to get away! All in the service of writing stories, of course, but still…. So if you’re interested—for art’s sake!—take a look. If you dare.

Denise Jaden (@denisejaden) covers a subject that I’ve rarely seen discussed: Writing Effective Grief in Fiction. It’s so easy for writers, especially new ones, to take a character’s grief and turn it into melodrama, and in so doing, drive the reader away. Jaden’s five practical tips for how to make that character’s emotions real, compelling, and yet not overwhelming (for the reader) will be valuable for anyone who’s writing about characters in fiction or memoir who are dealing with loss.

Let’s finish up this section with a terrific post by C. S. Lakin (@cslakin) on KM Weiland’s WORDplay blog: The Secret to Show, Don’t Tell. Everyone wants to know that, right? Okay, so I’ll spill the beans right now: every scene needs a “high moment,” the instant where the point of the scene (which every scene must have) is made. It can be big or subtle, but everything else in the scene builds toward that point and that moment and the movie camera of your writing is what follows the characters and the action to them. Take the reader on that journey to that moment and you can’t help but “show.”

BUSINESS

When Kristine Kathryn Rusch (@kriswrites) titles a piece What Writers Need to Know, you can bet that, well, it’s time to get another cuppa before you start to read it. Let me see if I can catch the basics here.

  • Whether you’re traditionally published or indie, you need to know a lot about writing, publishing, managing a business, design… and a lot more.
  • You’ll never know everything there is to know and you may not ever know much of it really well.
  • If you’re not continually learning more, you’re falling farther and farther behind. That said, don’t try to learn something all at once. Work on each topic in bite-size chunks.
  • Writing well is still your first and foremost obligation but your chances of having a sustained successful writing career are minimal at best if that’s all you learn and know.

This long as usual post rambles a bit—you can safely skip down to the first list and skim after it—but if you want a career, this is advice worth reviewing.

Along these same lines, Joe Konrath (@jakonrath) calls his latest post How To Sell Ebooks. Can’t get much clearer than that. The thing is—and this should be no surprise—there’s no silver bullet or secret password but instead ten different areas we each need to address in order to have a shot at success. Why should we listen to Konrath? Because he’s now sold over a million copies of his books.

It’s certainly not every day that I point you to a piece from Science News magazine, but today’s online post by Rachel Ehrenberg (@REhrenberg) is appropriate. Even though In Hollywood, buzz beats star power when it comes to predicting box office take is about movies and popular music, it tells how scientists have demonstrated that the most successful ones earn their success not from who the performers are but how much the work is being talked about after, but especially before, it is released, and how widespread the buzz is. This is what the marketing experts I occasionally cite here say about books, too: build your platform before you publish.

Rachelle Gardner’s (@RachelleGardner) answer to the question Are Self-Pub Books the New Slush Pile? is a qualified no. Her five reasons have mostly to do with marketing considerations; in fact she doesn’t say a word about the slushy quality of many self-pubbed books. That’s refreshing. It’s refreshing, too, that she’s open to the possibility that self-pub books could become more important over time. (Well, they already are.)

FUN

Yeah, after all that heavy information, a little fun is what we need to close off the day and head for the weekend, and you’ll find it here, in Carol Barnier’s (@Carol_Barnier) Pet Peeves and Grace on WordServe Water Cooler. You can guess what the “pet peeves” part is all about, but will you be byoosgusted by it? Actually, I think you will. 🙂

What was your favorite article today? Or the one that helped you most?

Great Stuff on the Writers’ Blogs, February 5 & 6, 2013

After a couple of big posts, today’s is much lighter. I imagine you might appreciate that. Some of today’s posts are practical—character and setting development, for example—others are thought-provoking. Feel free to disagree with them.

CRAFT

This writing technique definitely won’t be for everyone. It’s certainly “different.” But if it works for you, terrific! What I’m talking about is Cinthia Ritchie’s (@cinthiaritchie1) piece on the Guide to Literary Agents blog called Marathon Training to Finish Your Book. Cinthia models writing a novel on Hal Higdon’s plan for training for a marathon. It’s a very different way of approaching the “write every day” mantra because it varies how much time you’re to spend writing, with “long writing days” comparable to the long training runs marathoners do as they prepare for the big day. Check it out. Maybe it’ll fit with your life and schedule. Maybe it won’t. If it doesn’t, forget it.

Two pieces today on characters and characteristics. Donald Maass’s (@donmaass) The Man (or Woman) in the Mirror on Writer Unboxed and freelance editor Jodie Renner’s (@JodieRennerEd) Essential Characteristics of a Thriller Hero on The Kill Zone. You can tell from the title that Renner’s piece is more focused on certain kinds of characters while Maass’s offers questions to ask yourself about yourself with the intent of then making those answers—good or bad—part of your characters, especially your protagonist. This is classic Maass and for my money a far better set of tools than creating the simplistic list of traits (what does your character eat for breakfast?) that other authors (NOT Renner!) often suggest.

Try this quote on for size: “…readers really don’t mind setting description so long as it entertains them.” Say what? So saith KM Weiland (@KMWeiland) in How to Create a Surefire Awesome Setting (emphasis hers, by the way). While I think I’d use “engage” rather than “entertain,” the point of the short video is that setting description can add to, even enrich, a story when its presentation is one in proper balance with other parts of the story.

SOCIAL MEDIA

Here are two pieces of news I found both interesting and potentially important. According to Brian Clark (@copyblogger) in his post Get Over Yourself and Get On Google+:

  • Google+ has become the second largest social media platform, passing Twitter, and
  • Google+ isn’t a social network, it’s a topical network (emphasis his), meaning it is more “organized around content” rather than people per se.

Clark also suggests that this difference is important to authors and their platforms (he quotes former Google CEO Eric Schmidt for support) and that the difference is one thing that distinguishes Google+ from its major competitors. Disclaimer: I do not have a Google+ account. (Okay, okay, so maybe I should. All I need is a 25th hour in my 24-hour day.)

THE WRITING LIFE

Hmmm, I wonder if Rachelle Gardner (@RachelleGardner) was aiming Be the Gatekeeper of Your Mind at me—and you, dear reader. Why? She writes that she’s found she’s more creative if she reads fewer blogs, not more, and when she reads longer, more “immersive” work, like full-length books. Could it be she’s got a case of information overload? She seems to think so. What about you? Have you decided to pare back on your information input?

Great Stuff on the Writers’ Blogs, February 2-4, 2013

Wow! Busy weekend out there on the blogosphere, and Monday morning, too: rules and tools, emotions and responses, Star Wars attacks and attacks on Amazon. It’s all here, and more. No time to lose! Let’s get started.

CRAFT

CORRECTION! Gabriela Pereira’s (@DIYMFA) workshop is on Tuesday, February FIFTH,  (that’s tomorrow) at 1 PM Eastern. Sorry for the confusion!

Anyone who’s been at this business a while knows that there are almost no rules to writing, beyond maybe, “Get your butt in the chair! Now!” So when a post is titled The Rules of Writing, naturally that’s going to raise some concerns. Fortunately, French super-bestseller Marc Levy’s (@marc_levy) “rules” on Writer Unboxed aren’t rules so much as guidelines, and wise and practical ones at that. A couple examples to whet your appetite: “Stop trying so hard to find a subject” and “Don’t show too much, don’t tell too much.”

Along these same lines, Joanna Penn’s (@thecreativepenn) guest post on Write to Done on 5 Ways To Take Your Writing Further includes some techniques I’ve heard before but haven’t seen mentioned much recently, namely free-writing and physically copying the work of published authors you enjoy and respect. Not only are these effective techniques for expanding your writing, they’re terrific for overcoming writer’s block. (See the Brandon Yawa post below too.)

I think it was one of the great Russian writers who said, “If there is no emotion in the writer, there will be no emotion in the reader.” Anyone know who that was? In any case, James Scott Bell (@jamesscottbell) picks up on that theme with his post How To Get Emotional About Your Novel on The Kill Zone. “Emotion in the author,” he writes, “is literary electricity. It’s the X Factor, the game changer… Readers sense it.” Then he describes a couple of methods for finding it and bringing it out in your work. The last part of the post is a plug for his latest book but also serves as an example of how he was able to create genuine emotion in the story.

Speaking of emotion, KM Weiland (@KMWeiland) continues her excellent series on scenes and sequels with Pt. 9: Options for Dilemmas in a Sequel. What does this have to do with emotion? After the emotion of the reaction to the previous scene’s disaster, now the protagonist should face a dilemma in which he or she has to figure out what to do next. This can be an emotional reaction, too, or a rational one, but it needs to start with a review of what’s happened, an analysis of options, and a plan for moving forward, which will lead to a decision, the next scene and, of course, the next disaster… but that’s getting ahead of ourselves.

Lessons Learned from the Original Star Wars Trilogy to Up Your Writing Game? Seriously? Yup. Lydia Sharp (@lydia_sharp) comes up with them on Writer Unboxed. Specifically, Episode IV (start in the middle), Episode V (destroy everything), Episode VI (expect the unexpected).  Hmmm. Y’know, that gives me an idea…. Thanks, Lydia!

BUSINESS

Joanna Penn’s piece on her own blog, How EBook Readers Shop And The Importance Of Sampling, is a terrific insight into both. Yes, if you own an e-reader, your shopping habits may be different, but if you’re looking to e-publish, even how just one reader shops can be revealing. So are Joanna’s and her commenters’ views on samples: how long they should be, how much time a reader will spend with them, how often they decide not to buy based on the sample, etc. Valuable info here!

Jane Friedman (@JaneFriedman) has started a monthly feature called Best Business Advice for Writers, and the January edition is full to overflowing with links to other posts and articles that are full to overflowing with information. The ol’ veritable plethora, right on your screen: GoodReads, cover design, self-publishing lessons-learned, WordPress plug-ins, Kickstarter, and more. Goodness. It’s a week’s worth of reading all by itself! Pick what most interests you.

Whoa, this is a tough one. Clare Langley-Hawthorne reports on The Kill Zone on a series of Concerted Amazon Attacks meant to discredit and kill the sales of a book. The book, an apparently non-sycophantic biography of Michael Jackson received so many 1-star reviews on Amazon (over 100), many of which were factually inaccurate, that despite Amazon’s selecting it as one of their best books of the year, sales were a small fraction of the number of books printed. So, whose free-speech rights prevail in a case like this: the authors’ or the reviewers’? Or is this an either/or decision at all? What do you think?

THE WRITING LIFE

It might be a bit of a surprise to see a post from ProBlogger here in the Writing Life section, but Brandon Yawa’s (@BrandonYawa) How Compassion Cures Writer’s Block fits. Interestingly, his idea is NOT compassion by the author for someone else, but compassion by the author for him- or herself. Self-forgiveness, in other words, when the words won’t come, plus a few non-writing techniques for getting that mental break that releases the block. Marc Levy (above) says not to fear writer’s block because it’s a natural thing. Without the fear, then, the forgiveness should come more easily. Hope so, anyway!

If you’ve ever been in a writers’/critique group, you’ve probably encountered people like those described in Donna Cooner’s (@donnacooner) Top 10 Worst Types of Critique Partners. If you haven’t, yes, you might well encounter people like these. But don’t assume as some writers and bloggers (NOT Donna) insist that all groups are like this. They’re not, and a good group is worth its weight in ink cartridges.

So, can you name that Russian writer? Have you run into any of those awful critique partners? How about great ones? Tell! Tell! (This is one time you don’t have to “show.”)

Great Stuff on the Writers’ Blogs, January 26-28, 2013

Good Monday, everyone! The story of scene and sequel continues today, along with more ideas on how to support your author-friends, writing for money and searching for success, and more. Don’t wait a second longer! Dive right in.

CRAFT

KM Weiland’s (@KMWeiland) part 8 of her series on scene and sequel dives into the Options for Reactions in a Sequel. As she points out, the purpose of the sequel is to present the character’s reaction to the scene-ending disaster they’ve just experienced and set them up for the next scene. Sequels can be chapters long or as short as a single sentence, but they will always contain an emotional reaction, an intellectual dilemma, and a decision leading to action. This excellent series is especially valuable for new writers.

BUSINESS

To be, or not to be (a participant in Amazon’s KDP Select program, that is). It’s a question lots of self-published authors ask. Thanks to Joel Friedlander’s (@JFBookman) monthly Carnival of the Indies post, M. Louisa Locke (@mlouisalocke) lists 7 Things joining KDP Select Can and Can’t do for you [capitalization hers]—4 can’ts, 3 cans. Good information here but I was a bit surprised by the idea of putting a book into KDP Select after it had already been on sale with Amazon (and other sales platforms) for a while. Seems like putting all of one’s eggs in one basket. A BIG basket, sure, but hardly the only one.

On Friday I mentioned Rachelle Gardner’s piece on how you can help support an author. Now along comes Chuck Sambuchino (@ChuckSambuchino) with 11 more ideas on Writer Unboxed on How to Support an Author’s New Book. At first it looked like the ideas were going to be only for traditionally published books but that’s not true: at least some of these ideas apply to every kind of book, e-, POD, or trad. What I especially like about this post is that Chuck suggests things you can say to your friends, and that they can say to their friends, that will give them even more reason to be interested in helping.

Focus on the word “returned” in the title of Joanna Penn’s latest post and 9-minute video, Self Publishing In Print: Why I Have Returned To Printing My Books. She made the new-author mistake of paying lots of money to have her early works printed, and then was stuck with copies that weren’t selling. In the video, she talks about that decision and why now, with three books selling well in eBook format, she thinks she’s ready to get back into (print-on-demand) print. Very practical discussion, if you don’t mind the repeated flashing of the newly-printed book.

THE WRITING LIFE

Dean Wesley Smith (@deanwesleysmith) points us at a recent post by John Scalzi (@Scalzi) called A Moment of Financial Clarification, in which Scalzi admits (gasp!) that he not only writes for money, he has done so with the (achieved) objective of getting rich. There will be some who find this objectionable: writing is art after all, isn’t it? Yeah, some of it is, but there are lots of artists in other fields (painting, music, and so on) that have gotten pretty darn rich an no one seems to mind that. If I have a beef with this piece is that Scalzi doesn’t mention how long it can take to become that overnight success. Otherwise, this moment of brutal honesty is refreshing.

If you’ve been reading blogs on writing for any time at all, you’ve run across the message, “to learn how to write, keep writing! To be an ‘overnight’ success, write lots.” Boyd Morrison’s (@boydmorrison) But I Want Success Now! on The Kill Zone repeats that message, but with plenty of examples of how many novels now-big-name authors wrote before the one that made them big-name authors. The numbers might be scary but the truth is what it is.

What do you think? Are you willing to work and wait for success or do you want it yesterday or not at all?

Great Stuff on the Writers’ Blogs, January 12-14, 2013

We’ve got everything from variations on a scene to guest posting to number crunching (or not) to scams to friends to plot holes. Quite a smorgasbord of Great Stuff!

CRAFT

KM Weiland (@KMWeiland) continues her series on scenes with Pt. 6: Variations on the Scene. Said variations can apply to:

  • The scene goal: discovered after the scene begins; is implied instead of stated
  • The scene conflict: opens with conflict, not goal; is understated
  • The scene disaster: ends before the disaster, or
  • The scene as a whole: is skipped, implied, or summarized; is interrupted by a new scene; or switches POV.

Lots of great information here, especially for the intermediate writer.

Despite the title, Boyd Morrison’s (@boydmorrison) Have Gun? Won’t Travel on The Kill Zone isn’t about guns, per se, and it’s certainly not about the “debate” over “gun control” going on in the country now. It’s about plot holes, those practical, logistical, or logical impossibilities that movie-makers often get away with that writers can’t (or at least shouldn’t) and what you might do to keep yourself from leaving them in your own work. A long post, but worth a look.

BUSINESS

At first, Michael Swanwick’s Free Me! post was pretty much what I expected: an announcement of a free e-book from Tor.com that includes one of his stories. But then Michael went on to join the Kris Rusch bandwagon and remind authors to start recording their bibliography as soon as their first story is published. Why? Not just to have the record for your eventual estate, but to motivate you to get another story written and published so the first one won’t look so lonely. And then the first two won’t be lonely. And then….

Dean Wesley Smith (@DeanWesleySmith) continues his New World of Publishing with a not-as-long-as-it-looks post titled Counting Numbers. This piece is going to be a bracing reality check on what realistic expectations for sales numbers and income look like, especially for many new, stars-in-their-eyes writers, but that’s okay. Perhaps his most important point is to think like a publisher: over a 10 year span, not month-to-month.

James Scott Bell (@jamesscottbell) wades once again into the quantity-now-versus-quality-soon debate that’s been bubbling around the blogosphere lately, with participants like DW Smith, Jane Friedman, and Porter Anderson with his Kill Zone post Publishing and Marketing Your Crap. It takes him a while to get to this point but it’s sure where my thinking is: “If readers don’t like the first book of yours they try, they’re most unlikely to buy any of the other 37.” Couldn’t have said it better myself.

SOCIAL MEDIA

Gabriela Pereira (@DIYMFA) begins a series on Why Writers Should Write Guest Posts. This fairly long article covers five strategies for why someone would want to do this: to promote a blog or web site, to reach a new audience, to promote a new book, to help a new blogger build a readership, and to stretch your “writing muscle.” Future posts will cover the who, what, and how of guest postings. Should be a good series.

The second post, in fact, is pretty good, too. Gabriela discusses Navigating the Guest Post Process, including deciding specifically what to write about and for whom, how to pitch the idea (including a format for a pitch e-mail—very good idea!), things NOT to do in the pitch, and what to do when the post is published. All terrific stuff. She also provides a downloadable PDF form that you could use to track your submissions. Unfortunately, you can’t fill it in electronically but Gabriela’s accepted my offer to make it fillable. Check back tomorrow for news.

THE WRITING LIFE

Scams, alas, are a part of e-life, and Victoria Strauss (@VictoriaStrauss) relays a report of one that’s been making the rounds in the UK in Alert: UK Speaker Scam Targets Writers (and Others) on Writer Beware® Blogs. In essence, the scam comes as an e-mail that says the recipient’s been selected to be a guest speaker at a university-sponsored conference but (there’s always a but) there are government fees that need to be paid up-front. You can figure out the rest. This scam isn’t unique to the UK; it’s a variation on a theme whose purpose is always to separate the naïve or unthinking from their money. Writer: beware!

Jane Friedman (@JaneFriedman) points us over to the Glimmer Train Bulletin for an article by Kate Gale, the Managing Editor of Red Hen Press in which she advises, Find Someone Who Is a Stakeholder in Your Writing Life. She suggests three sources—family, spouse/lover, and other (published) writers—and a total of five people, or so, who will believe in you and support you. Contrary to the opinion of some writers, this is where a writers’ group can—not necessarily will, but can—provide that kind of support. Food for thought.

Don’t forget, you can always share Great Stuff with your friends. At no cost! 😉