Happy Monday, everyone! It’s a grumpy Monday around here and I’m not sure why. Maybe it was that hard-sell video lying in wait in my inbox this morning. Grrrr. But enough of that: there’s Great Stuff ahead!
Porter Anderson’s (@Porter_Anderson) Writing on the Ether posts have always been frustrating for me. On the one hand, they often have useful or at least interesting information in them. On the other hand, they’re so freakin’ long. I mean, 5,078 words this time? Seriously? Which is a shame, because buried in all those words are two useful sections. One is on a study by Teresa Frohock (@TeresaFrohock) on whether readers can tell the difference between male and female authors when they don’t know who wrote a particular piece. The short answer is no. You can find the full report here. If you want to read the full Ether discussion, including a diversion into whether boys or girls are reading more, and two tangential tweet copies, click here.
So it’s ironic that the next piece here is Joe Bunting’s (@write_practice) 3 Ways to Compress Your Story Like Les Misérables on Writer Unboxed. Compress like les Mis, eh? Turns out, Bunting’s referring to the compression of the original novel into the play and the recent movie musical, which he says requires these steps: choose the right moments; combine characters; and write a good story, then cut. Good advice, all, though tough to do. Be sure to check out the supporting quotes.
Let’s stay with the practical tips and visit Harvey Stanbrough’s (@h_stanbrough) Top Five Mistakes Writers Make. Clear, simple, practical advice that I’m much more conscious of since he pinged me on most of them when he edited my WIP. D’oh!
KM Weiland (@KMWeiland) has pretty much finished teaching us how to structure our scenes, so now it’s time for the sequel, which would be… sequels. And in Pt. 7: The Three Building Blocks Of The Sequel, she does just that. To give you a preview, those blocks are Reaction, Dilemma, and Decision, which every sequel, no matter how brief, should include.
Anderson also includes a section on author Cory Doctorow’s (@doctorow) take on writing, publishing, and visibility in another section of the same Ether post titled Beyond DBW: More Conferences. What that has to do with what Doctorow says isn’t clear. Here’s the key quote, though (emphasis Doctorow’s): “Here’s the thing about fame: although it’s hard to turn fame into money in the arts, it’s impossible to turn obscurity into money in the arts. It doesn’t matter how you plan on making your money — selling books or downloads, selling ads, getting sponsorship, getting crowdfunded, getting commissions, licensing to someone else who’s figured out how to make money — you won’t get the chance unless people have heard of your stuff.”
THE WRITING LIFE
Rachelle Gardner (@RachelleGardner) summarizes the key points from the Stockdale Paradox and applies them to the writing life (courtesy Jim Collins, author of Good to Great) in 3 Ways to Change Your Thinking Today. “Stockdale” refers to 8-year Vietnam Prisoner of War Jim Stockdale and the philosophy he used to survive that ordeal. In short, for writers, the 3 points are: decide that you will find success; embrace your current challenges; and face your situation realistically, being willing to work as hard as necessary to overcome your challenges. Easier to say than to do, but necessary.
I hope this sets you up for a great week.