Back to busy days, again. Today we’re covering the range from craft to publication.
- We’ll start with the very most basic of skills: grammar, spelling,and punctuation. This first article actually wasn’t a blog post but an article in the Harvard Business Review, which I found thanks to Brian Klems (@BrianKlems) and the Writer’s Digest e-newsletter. Kyle Wiens (@kwiens) writes I Won’t Hire People Who Use Poor Grammar. Here’s Why. Now, Mr. Wiens runs a couple of businesses that are writing-focused, but then, so do we. If we claim to be writers, but can’t tell the difference between their, there, and they’re, is our claim legitimate? Don’t think so.
- Gabriela Pereira (@DIYMFA) continues her series of posts on what she learned at ThrillerFest with a post on Plot and Story Structure, in which she introduces us to Daniel Palmer’s 4-step approach: The Rhino, The “What if?”, The McGuffin, The Characters. Which would you think is most important? Answer at the end of the post.
- Jeanne Kisacky introduces us on Writer Unboxed to Writing in the Discomfort Zone, the idea that getting out of what makes us comfortable is what gets us into our best writing.
- Transitioning us out of “craft” and into what I might call “post-production” topics, Michael Hyatt (@MichaelHyatt) recommends 15 Resources for Pro Bloggers (or those who want to be). While most of these tools are specific to blogs and blogging, and two (Byword and Mars Edit) are Mac-specific with no Windows counterpart mentioned, a few, like Evernote and SnagIt should be useful even to those who don’t (yet) blog.
- Speaking of blogging and “platform” in general, Porter Anderson (@Porter_Anderson) posts a provocative discussion on “Shadowy Platforms” on Jane Friedman’s (@JaneFriedman) blog. The platforms he’s referring to aren’t locations for thrillers or mystery novels, but all the ways the whole platform-building enterprise can be a time-suck for writers.
- Moving beyond “platform” to querying, Rachelle Gardner (@RachelleGardner) reprises a 2010 post on The Top Ten Querying Mistakes authors can make (plus a bonus one). The info’s good but be sure to check out the street sign in the photo, too. 🙂
- And last but not least, we go back to controversy with Kathleen Pickering’s (@KatPickering) Kill Zone post, Kirkus Indie: When a Review Is Good for You. The thing that gets Kathleen’s commenters so riled up is that authors pay for the reviews on Kirkus Indie, the independent-publishing side of Kirkus Reviews magazine. For those of you who have never heard of them, Kirkus provides reviews to librarians, bookstores, publishers, agents, and other movers and shakers in the entertainment industry. A positive review is A Very Good Thing. And hard to come by. BUT! There’s no guarantee that buying a Kirkus Indie review will get an author a good review (morally, that’s as it should be), but that also means the author might pay as much as $575 for something he or she can’t use (morally, that’s questionable: is Kirkus exploiting authors’ need for approval to improve their bottom line?). So as you might imagine, the commentary to Kathleen’s post is, shall we say, animated.