Apologies for missing you yesterday: 3 hours on the road for a 2 hour meeting will chew up a big portion of a day. So we’ll catch up with a 3-day post today and Monday’s will cover just what’s left of today plus Sunday and early Monday.
Interestingly, the best posts of the last few days have either been about the business of writing, or just plain fun pieces. Nice contrast. Let’s get the work done first.
We’ve all heard about (pun fully intended) audio books—they’ve been around a long time. Jordan Dane (@JordanDane) writes about her experiences in Self-Publishing in AUDIO on The Kill Zone. She worked with an organization called Audiobook Creation Exchange, so other sites and companies will be somewhat different. For Your Information.
James Watkins (@jameswatkinscom) provides seven reminders/warnings to follow to ensure you Don’t Sabotage Your Writing/Speaking Career on WordServe Water Cooler. Many of these cautions are against having “unprofessional” e-mail addresses, business cards, web presence, social media posts, and so on. Having a bad reputation is, of course, bad. And so is having taken advantage of “free” publishing opportunities in ways that brand you still an amateur. Remember: writing is, at the end of the day, a business.
Along that desperate-amateur line of thinking, Victoria Strauss (@VictoriaStrauss) has put up a couple posts on Writer Beware ® Blogs warning of Two More High-Entry Fee Book Awards and a dodgy America’s Next Author Contest. Strauss goes into detail on why each of these programs are ones you should stay away from. Far away. Desperation to be published is one of the worst reasons to give up your rights as an author. Don’t.
In that same vein, Kristine Kathryn Rusch (@kriswrites) discusses Rights Reversion in her weekly Business Rusch column. What is “rights reversion?” It’s getting back certain of the publication rights (part of your overall set of copyrights) from a publisher after a certain period of time has elapsed or certain conditions have been met. In this very long post, Kris discusses how publishers can play games with authors to keep rights from reverting, and how authors can unwisely sign away any chance of having the publication rights to a given work ever come back to them. This post IS long, but if you don’t read any other one, read this one.
Jane Friedman (@JaneFriedman) writes a long post discussing the question Do Publishers Need to Offer More Value to Authors? The key word here is “need” and the underlying question is who has the need. To summarize the piece, Jane says that while authors would like publishers, particularly the “Big 6” publishers, to provide more author-centered service, publishers do not yet see the need to do that, and until they do—and she believes they never will—they won’t. Depressing? Maybe. A case for more and more self- and e-publishing? Probably.
OK, enough depressing stuff. Let’s have some
Could you write your own memoir in just six words? That’s Rachelle Gardner’s (@RachelleGardner) challenge to her readers in Too Much Coffee? No Such Thing, which, by the way, is hers.
Bad reviews are depressing, right? But what about, in the scope of history, they also turn out to be wrong—really wrong? Enter Robert Bruce (@robertbruce76) of 101 Books, excerpting some such reviews from a longer list on Flavor Wire, in “Mr. Scott Fitzgerald deserves a good shaking.” It’s interesting to note how many of these reviews come from the New York “Literary” circles. Guaranteed to raise a smile.
And finally, John Vorhaus (@TrueFactBarFact) complains about (with tongue planted firmly in cheek—I think), then engages in Verbing the Nouns on Writer Unboxed. This is all about playing with words to create our unique writer’s voice, and while it’s laugh-out-loud funny, there’s also a serious point to it. (I know, I know: how disappointing. J)
What Great Stuff have you discovered? Let us know in the Comments.